Black and white photo of school children in uniforms, black dresses on the girls and military style jackets and pants on the boys

04. Student Experiences

These stories are complex and nuanced. The diversity of students in age, tribal affiliation, personality, time when they attended boarding school and their personal situation creates a range of experiences and responses.

Academics and Vocational Training

“It was very difficult for me at first, for students at the school were not allowed to speak the language of the Indians. At the time I understood nothing else.”

— Wayquahgeshig (John Rogers; White Earth Ojibwe)
1974

Children were taught to march, to pray, and to speak, read and write English. The Indian Service attempted to standardize the boarding school curriculum with the Course of Study for the Indian Schools of the United States, 1901 by Estelle Reel, Superintendent of Indian Schools. The introductory letter to Agents, Superintendents and Teachers of Government Schools states:

  • Students at Carlisle Indian School
    Carlisle Indian School student body, March 1892. J.N. Choate, photographer. Cumberland County Historical Society, Carlisle, Pennsylvania. RC125(7)2.1.1.8
  • Students in a classroom circa 1904, some are seated at desks reading while a few stand at the blackboard working on assignments. A large clock and simple decor are visible on the walls.
    Classroom at Gila Crossing School, May 1904. Clarence Miller, photographer. Clarence W. Miller photographic collection. 11.2
  • A group of children stands playing recorders in a classroom, wearing formal attire. The classroom has chalkboards with writing and pictures hanging on the walls.
    Singing class at Carlisle Indian Industrial School, 1890. Cumberland County Historical Society, Carlisle, Pennsylvania. RC125(6)1.2.10.
  • Historical classroom scene with a large group of children seated at desks, holding open books, and a teacher standing on the left. Many students are looking towards the camera. Chandeliers and chalkboards are visible.
    Genoa Indian School classroom, Genoa, Nebraska, 1911. Genoa U.S. Indian School Foundation and the Genoa Historical Museum.
  • 1913 black and white photo of older Native students in a classroom reading at their school desks.
    Miss Robertson’s classroom, Chilocco Indian School, Newkirk, Oklahoma, 1913. National Archives and Records Administration, Fort Worth, Texas.
  • 1900 black and white photo of young girls in domestic servant pinafores standing at tables at indistinct activity.
    Haskell Institute domestic sciences class, c. 1900. Haskell Archives, Haskell Cultural Center and museum, Lawrence, Kansas.
  • 1900 black and white photograph of classroom with Native young women at sewing machines
    Sewing class at Flandreau Indian School, Flandreau, South Dakota, c. 1900. State Archives, South Dakota State Historical Society. RC125(6)1.8.2.
  • 1910 black and white photo of young Native women in a large industrial style laundry room at ironing boards, baskets below.
    Ironing at Sherman Indian School, Riverside, California, c. 1910. National Archives and Records Administration, Washington, D.C. RC125(6)1.29.1.
  • 1890 black and white photo of Native youth in laundry room with manual equipment for doing laundry underneath
    Laundry at Crow Agency Boarding School, Big Horn County, Montana, c. 1890. National Archives and Records Administration. RC125(7)2.1.4.1.
  • 1900 black and white photo of an older woman with several young Native girls baking in a kitchen
    Baking class at Flandreau Indian School, Flandreau, South Dakota, c. 1900. State Archives, South Dakota State Historical Society. RC125(7) 2.1.5.1.
  • 1890 black and white photo of young Native men in a woodworking shop
    Vocational training in carpentry at Hampton Institute, c. 1890. Hampton University Archives, Hampton, Virginia. RC125(7)2.1.7.7.
  • 1920 black and white photo of a printing press room with young Native men standing over and working at printing machines.
    Students printing on presses at Phoenix Indian School, c. 1920. Billie Jane Baguley Library and Archives, Heard Museum. RC284(2)1.108.

Estelle Reel

“The aim of the course is to give the Indian child a knowledge of the English language, and to equip him with the ability to become self-supporting as speedily as possible. . . Hoping that better morals, a more patriotic and Christian citizenship, and ability for self-support will result from what this course of study may inspire.”

— Estelle Reel
Course of Study for the Indian Schools of the United States, 1901

Estelle Reel was Superintendent of Indian Schools from 1898 to 1910, appointed by President William McKinley. She was responsible for hundreds of federal boarding and day schools, both on and off reservations. She wrote the Uniform Course of Study for the Indian Schools of the United States (1901) to standardize the schools’ curricula.

The course of study emphasized vocational and domestic instruction equally with academic subjects. Boys’ study focused on trades such as shoemaking, and girls studied domestic arts such as sewing.

A woman from the early 20th century wears glasses, a dark-trimmed white jacket, and a large hat adorned with flowers.
Estelle Reel, n.d. Wyoming State Archives, SUB NEG 2502.
Five people are working in a large field with rows of crops. There are trees and structures in the background with mountains in the distance.
Stewart Students working in field, n.d. Stewart Indian School Cultural Center and Museum, Carson City, Nevada.

The Outing Program

“One day I was called up to the first floor where a little glass house was built. Mr. Walker took me inside. There were several large trunks there. Inside the trunks was considerable valuable jewelry. Mr. Walker instructed me that my new work was to put price tags on this jewelry. So every day I was locked inside this little glass house, opening the trunks, taking out the jewels and putting price tags on them. How the white folks did crowd around to watch me! They were greatly surprised to discover that John Wanamaker could trust an Indian boy with such valuables.”

— Luther Standing Bear
Student at Carlisle Indian School, on Outing at Wanamaker’s Department Store in Philadelphia, 1884

The Outing Program was developed to supplement classroom instruction. Students received practical experience in local homes as domestic helpers and on farms as laborers during summer months and holidays. They sometimes were paid a small salary that went directly to the schools to be placed in savings accounts for the students. They were given a small amount for spending money. This system effectively kept students away from their families and homes while immersing them completely in the “civilization” process.

The Outing Program reflected the federal intention to fit Indian people into the lower economic sectors of American society, to work as farmers, manual and unskilled laborers, or domestic workers. The Outing Program varied from school to school and changed over the history of boarding schools. What was a summer-long program at Carlisle Indian School was one day or weekend labor throughout the school year at Phoenix Indian School, working in someone’s home or business.

Even the youngest students had work details. Details included gardening, cleaning, kitchen chores and laundry. The U.S. Indian Schools depended on student labor to remain in operation.

  • Black and white photo from early 1900s of 2 Native girls feeding chickens. One girl is recognized as Annie Coodlalook.
    Annie Coodlalook and unknown Carlisle student, feeding chickens at Quincy-Wertz Farm, 1904. Courtesy of Marion S. and David W. Ellis. (4897-1 a&b).
  • 1901 black and white photo of young Native boys in a laundry room in front of wringing machines and wash tubs
    Laundry room at Riverside Indian School, Anadarko, Oklahoma, 1901 Robbins Collection #16116, Archives & manuscripts Division of the Oklahoma Historical Society. RC125(6) 1.25.2.
  • 1905 black and white photo of 2 young Native girls working on beading. One girl sits at a desk with a traditional bead loom and the other sits beside with indistinct fabric in her hand.
    Vocational training for young students at Gila Crossing School, 1905. Clarence Miller, photographer. Clarence W. Miller photographic collection, 43.3.
  • 1904 black and white photo of 3 Native youth holding armfuls of turnips next to an older white man in front of a large 2-story brick building
    Clarence W. Miller with students and staff pulling turnips at Phoenix Indian School, 1904. Clarence W. Miller photographic collection, 37.1.
  • 1920 black and white photo of figures working along rows of plants with a horse and plow
    Working on the farm at Haskell Institute, 1920. Haskell Cultural Center and Museum, Lawrence, Kansas.
  • 1900 black and white photo farm with figures surrounded by chickens in a large fenced pen with outbuildings and open fields in the background
    Grand Junction Indian School chicken farm, c. 1900. Shades of L.A., Native American Community Collection, Los Angeles Public Library.
  • "1950 black and white photo of a young Native boy polishing a floor with a waxing machine in a domestic setting.
    Victor waxing floor at Sherman Institute, Riverside, California, c. 1950. Sherman Indian High School Museum, Riverside, California. RC125(7)2.1.16.34.
  • Boarding School students working in a field
    Stewart Students working in field, n.d. Stewart Indian School Cultural Center and Museum, Carson City, Nevada.

Knowing the Drill

The model for the federal boarding schools established by Richard Pratt, an army officer, was based on the U.S. military. Students’ hair was cut short and they were dressed in military uniforms and organized into companies separated by gender. Drills and inspections were part of the regimented lifestyle, marked by bugle calls and a bell system. Students looked and acted like soldiers, and they were favorably viewed as good candidates for recruitment by the military. Life at the Indian boarding schools prepared students for military service.

“Too much praise cannot be given to the merits of military organization, drill and routine in connection with the discipline of the school; every good end is obtained thereby. It teaches patriotism, obedience, courage, courtesy, promptness, and consistency; besides, in my opinion, it outranks any other plan or system in producing and developing every good moral, mental, and physical quality of the pupil.”

— Superintendent Harwood Hall
Phoenix Indian School, to the commissioner of Indian Affairs in 1897

Phoenix Indian School like all of the U.S. Indian Schools established in the late 1800s was based on a military school model, with uniforms, inspections, drill routines, and daily schedules managed by bells or whistles. Military discipline was a sign of “civilization.”

In 1912 an Arizona National Guard unit, Company F was formed, comprised of older Indian school students and former students who lived in the Phoenix area. In 1915 Company F was sent to Clifton-Morenci during the copper mine strike. Once the strike was settled, the unit was sent to southeastern Arizona, in response to raids by Pancho Villa. The unit was stationed in Naco for a year. In April 1917 President Wilson declared war on Germany, and 64 students from Phoenix Indian School volunteered to serve, despite the fact that they weren’t citizens.

Memorial Hall, a Mission and Romanesque Revival style building, erected by student labor, was built in 1922 to honor the students who served in World War I. In 1924 American Indians were recognized as citizens.

  • A detailed Monday schedule listing times for activities including bells, school, physical culture, study hour, supper, and lights out at a school or institution, divided into A.M. and P.M. sections.
    Monday schedule from the Annual Calendar at the Carlisle Indian School, 1915-1916. Carlisle Indian School Digital Resource Center, Teaching Kit
  • Early 20th C. black and white photo of young Native men in military style uniforms with caps in their hands and many over their hearts posing for a group portrait.
    Drill Corps at Phoenix Indian School, c. 1905-1910. Arizona Historical Foundation, University Libraries, Arizona State University, Tempe, Arizona. RC125(7)2.1.12.20
  • Black and white photo of a 3 story brick building with a mission-style facade and towers on both front corners.
    Memorial Hall, Phoenix Indian School, south façade, n.d. Library of Congress, Washington, D.C.
  • 1930 black and white photo of young Native men in military uniforms posing on steps
    National Guard unit at Phoenix Indian School, c. 1930. Collection of Bureau of Indian Affairs, Phoenix Area Office, Billie Jane Baguley Library and Archives, Heard Museum RC125(7)2.1.12.32
  • 1900 black and white photo of young boys in military style uniforms and caps posing with an older woman in front of a brick building. All the boys hold American flags.
    Boys with flags at Albuquerque Indian School, c. 1900. National Archives and Records Administration, Washington, D.C.
  • 1900 black and white photo aerial view of a center parade grounds with figures lined up and large brick buildings on either side of the grounds.
    Bird’s eye view of Phoenix Indian School campus with students marching, c. 1900. National Archives and Records Administration, Washington, D.C. RC125(7)2.1.12.4
  • 1900 black and white aerial photo of uniformed men and women in formation. A marching band stands in the foreground and the rest of the individuals are in dark uniforms in formation behind them.
    Band and student body in uniform on parade grounds, Phoenix Indian School c. 1900. Billie Jane Baguley Library and Archives, Heard Museum, RC284(2)3.40
  • 1900 black and white photo of marching band in dark uniforms marching towards the camera on a dirt road between low growing palm trees.
    Band marching in parade grounds, Phoenix Indian School, c. 1900. Billie Jane Baguley Library and Archives, Heard Museum, RC284(2)3.39
Postcard image of the Guard House at Indian School in Carlisle, PA, built by the Hessians in 1777. Two men are seen standing near the building. The postcard is published by U.S. Lease, Carlisle, PA.
Guardhouse at Carlisle Indian School in Pennsylvania, 1908. Cumberland County Historical Society, Carlisle, Pennsylvania.

Punishment

Beginning at Carlisle and until the reforms of the 1930s, students were prohibited from speaking their language, wearing Native clothing or participating in any cultural traditions, such as singing or praying. Discipline was severe and often meant confinement in a guardhouse or lock-up room, “bread and water” meals and corporal punishment. Punishment was forcibly detailed to the older students, who strapped the “delinquents.” The older boys would be lashed if they were found to be “going light” in issuing punishments.

Change in Diet

“When I first went to school there, I was horrified at the way they ate. They sat you down at a table about six or eight to a table … and they put the food on and then they blew a whistle or rang a bell and you started. You were supposed to eat. If you weren’t fast … about the first three days I almost starved to death, because I’d sit there and they’d ring this bell and by the time I looked up, the food was all gone. They’d just reach out and grab it.”

— Curtis Carr
Chilocco Indian School, 1927

A major change from home to boarding school was the change in diet. Children were accustomed to indigenous foods and the natural and cultural milieu surrounding food preparation, seasonal gatherings and basic sensory ambience—the sounds, smells and tastes which closely connected to human emotions.

At the U.S. Indian Schools, vegetable gardens, cow and poultry barns were established and worked by the students. Child labor kept the school kitchens self-sufficient and allowed students to eat fresh food.

Yet the nutritional offerings at U.S. Indian Schools varied dramatically from school to school and over time. Even with fresh vegetable gardens, the plantings were usually a starch—like turnips, parsnips and potatoes—which were beneficial but could have been balanced with a mix of greens. Students complained frequently about not having enough to eat.

With reforms in the 1930s, which discouraged student labor, Indian School administrators ended the farm programs and relied on government-issued commodity foods. A food distribution program under the federal government, which included canned and dehydrated foods with a long shelf life, impacted not only U.S. Indian Schools but urban and reservation American Indians.

Canned beef or pork and many dehydrated foods had a high fat content. The combination of high carbohydrate and fatty foods filled students’ stomachs at the federal schools, but provided little in the way of variety and few nutrients in their diets.

“The first three years, all we ever ate, I think, were turnips and parsnips, [which] raise themselves in the farm, and to this day I just hate turnips and parsnips.”

— Geronima Cruz Montoya, Ohkay Owingeh
Student at Santa Fe Indian School, 1927 to 1935

“Well at the Indian School I was already used to being away from home [after being placed in a mission school at age 5]. I did miss the Winter Feast Days and I guess at Christmas was the loneliest because I knew that they would be dancing and eating all that good Indian food and here we’d be eating the usual beans and gravy at the Indian School. They never made a big thing for us at the Indian School when I was going to school.”

— Pablita Velarde at Santa Fe Indian School
1930 (age 12) to 1936

Choose a Church

“I was asked through an interpreter, ‘What denomination are you? What church do you belong to?’ I said, ‘Methodist.’ My uncle had warned me that at Indian School you had to attend church whether you wanted to or not, and he advised me to go Methodist as he had at Carlisle.”

— Fred Kabotie (Hopi)
At Santa Fe Indian School, 1918

As the federal government built off-reservation boarding schools, “Christianizing” was a continuing objective of assimilationist policy. Students recited prayers before each meal and sang Christian hymns. Kneeling bedside for nightly prayer and attending a church service on Sunday were mandatory. In 1934 federal policy allowed religious freedom, but in practice, students at residential schools were punished for not attending church up through the 1960s.

A group of young children in nightgowns kneel in prayer beside their beds in a dormitory, with dividers between each bed. The photo is dated June 1908.
Children praying before bedtime at Phoenix Indian School, June 1900. National Archives and Records Administration, Washington, D.C. RC125(7)2.1.12.8.
Early 20th C or late 19th C black and white photo of a large group of uniformed individuals standing in front of and on the balcony of a long, white 2-story building.
Male students’ residence at Carlisle Indian School, n.d., J. D. Choate, photographer, Beinecke Rare Book and Manuscript Library, New Haven, Connecticut.

Dorm Life and Resistance

Rebellion was a common response to the strict, regimented lifestyle of American Indian boarding schools. Documented student protests include cases of setting fire to a boys’ dormitory at Flandreau Indian School (South Dakota) and cutting electrical cables at Haskell Indian School (Lawrence, Kansas). Most rebellions were small and personal. Sometimes a student would find a fellow tribal member in the dormitory to speak their forbidden Native language. Other students gathered in the woods to hold ceremonies or dances. A Navajo student at Phoenix Indian School collected tassels of corn plants growing on campus and used the yellow pollen to pray.

  • Early 20th C or late 19th C black and white photo of a large group of uniformed individuals standing in front of and on the balcony of a long, white 2-story building.
    Male students’ residence at Carlisle Indian School, n.d., J. D. Choate, photographer, Beinecke Rare Book and Manuscript Library, New Haven, Connecticut.
  • 1900 black and white photo of Native teenagers sitting formally at a dinner table with 3 females in domestic service uniforms behind.
    A domestic science dinner at Phoenix Indian School, June 1900, National Archives and Records Administration, Washington, D.C. RC125(7)2.1.12.7.
  • 1918 black and white photo of a long narrow wood floor and ceilng room with many windows and single beds lined along the walls.
    Girl’s Sleeping Porch (Winona Hall) at Haskell Institute, 1918. Haskell Cultural Center and Museum, Haskell Indian Nations University, Lawrence, Kansas.
  • 1970 black and white photo of large dorm hall with multiple metal framed bunk beds with 2 young men. One is lounging on an upper bunk reading and the other stands next to the bed.
    Boys Dorm at Mt. Edgecumbe, Sitka, Alaska, 1970. Archives, University of Alaska, Anchorage, Alaska.

Visual Arts

The art programs at U.S. Indian Schools had varying tolerances for production of traditional American Indian art. Estelle Reel, author of the Course of Study for the Indian Schools of the United States (1901) encouraged production of Native art while maintaining assimilationist beliefs. She directed superintendents of Indian Schools to use Native artists as teachers.

Assimilation through visual art was promoted by Estelle Reel as an opportunity to teach Western aesthetics and dexterity. She promoted the Native Industries Curriculum to prepare students to be economically independent and productive laborers.

“The Indians as a people must be led to see the importance of developing the work they are so gifted in doing, and to help supply the market’s demands; and thus take a long step in the direction of self-support, which, after all, is the end of all Indian education.”

— Estelle Reel

The market Reel refers to is the strong interest by mainstream society to collect and furnish their homes with displays of Indian art. Many of the schools had sales catalogs and sales rooms. Indian school students also demonstrated at World’s Fairs. The World’s Columbian Exposition (Chicago, 1893), Pan-American Exposition (Buffalo, 1901) and Louisiana Purchase Exposition (St. Louis, 1904) all featured full-sized Indian schools, visual symbols of the federal government’s achievements in assimilation.

  • 1900 black and white portrait of Angel de Cora, a young Native woman with bradied hear wearing a traditional beaded dress
    Portrait of Angel DeCora, c. 1900. Cumberland County Historical Society, Carlisle, Pennsylvania. RC125(6)1.2.14.
  • 1900 black and white photo of young Native men and women at easels in a drawing still life objects
    Elizabeth H. Foster’s art class at Carlisle Indian School, c. 1900. F. Johnston, photographer. Cumberland County Historical Society, Carlisle, Pennsylvania. RC125(7)2.1.1.11.
  • Early 1900s black and white photo of Native youth in an art class weaving and working with fibers
    Weaving class at Carlisle Indian School, c. 1905-1915. Albert A. Line, photographer. Cumberland County Historical Society, Carlisle, Pennsylvania. RC125(7)2.1.1.12.
  • 1930 black and white photo of Native youth in western period dress posing for the camera. One of the 2 young women in the photo is Pablita Velarde.
    Pablita and Rosalie Velarde with other art students at Santa Fe Indian School. 1930. Helen Tindel Collection. RC451(1/1):1.
  • 1963 black and white photo of young Native woman happily showing her painting to a Native man and Caucasian woman.
    Dorothy Dunn and Po Qui with Pablita Velarde, at her house, 1963. Blair Clark, photographer. Archives Collection, Museum of Indian Arts and Culture, Museum of New Mexico, Santa Fe, New Mexico. RC125(6)3.14.
  • 1940s black and white photo detail of pottery being shaped on a pottery wheel
    Making wheel thrown pottery at Pine Ridge Indian School, South Dakota, 1940s. Library of Congress.
  • 1940s black and white photo of young woman shaping a vessel on a pottery wheel with shelves of pottery behind her.
    Woman throwing jar, Pine Ridge Indian School, South Dakota, 1940s. Library of Congress
  • 1950 black and white photo of a crowded room with art on panel boards and people looking at it
    Open house and art exhibition at Phoenix Indian School, c. 1950. Bureau of Indian Affairs, Phoenix, Arizona. RC125(7)2.1.12.59.
  • 1950 black and white photo of handmade cloth dolls on display at an art event. People mill around looking at the art and talking to each other.
    Open house event, doll display, at Phoenix Indian School, c. 1950. Bureau of Indian Affairs, Phoenix, Arizona. RC125(6)1.22.123.
  • 1970 black and white photo of Lloyd Kiva New in a suit standing in weaving classroom with a woman with short blond hair. A young man is hunched over a loom with his back to the camera in the foreground.
    Lloyd Kiva New in classroom at Institute of American Indian Art, c. 1970. Institute of American Indian Arts Archives, Santa Fe, New Mexico.
  • 1970 black and white photo of 2 young Native men standing and painting at easels. One paints a landscape and the other paints a portrait of a young boy in traditional Navajo dress.
    Students at easel in classroom, Institute of American Indian Art, c. 1970. Institute of American Indian Arts Archives, Santa Fe, New Mexico.
  • Color drawing of Hopi dancers
    Wilson Mowa (Hopi) “Half Clown and Hunter Kachina Dancer and a Mudhead”, 1973 Watercolor on paper This painting was made at Phoenix Indian School. The artist, after training in the Hopi Silvercraft Cooperative Guild, began making silver overlay jewelry. Gift of Art and Corinne Smith,3607-1
  • Drawing of a Pueblo Corn Dancer
    Justino Herrera (Cochiti Pueblo), 1920-2006 “Corn Dancer”, 1940 Watercolor, pencil, ink on poster board Herrera made this painting while a student at Santa Fe Indian School (SFIS). Mr. Herrera continued painting after he finished school at SFIS in 1940. He mostly painted scenes of Pueblo life. Gift of Valona Varnum, 4183-7
  • Drawing of irrigation work
    Richard Chino (Acoma Pueblo) “Irrigation Work”, 1945 Tempera on paper Student painting made at Santa Fe Indian School. Gift of James T. Bialac, 4456-3
  • Drawing of a stylized forest with 3 deer running
    Ernest Medina (Zia Pueblo) “Forest”, 1950 Watercolor on paper Medina made this painting while a student at Santa Fe Indian School. Gift of James T. Bialac, 4456-4
  • Drawing of 4 Native dancers in regalia in single file profile
    Albert Vigil (San Ildefonso Pueblo), 1927-2009 “Belt Dancer”, 1943 Watercolor on paper This student painting was made at Santa Fe Indian School. The artist was the son of noted painter, Romando Vigil, and nephew of Maria Matinez, an internationally known potter. In 1945, Albert began making pottery with his wife, Josephine Cordova Vigil, from Taos Pueblo. She used traditional methods of hand-coiling and firing and Albert painted designs. Gift of Duane and Jean Humlicek, 4460-16

Performing Arts

Music, art and drama were mechanisms to “Americanize” Indian School students. By developing good marching bands and drill teams, supporters and politicians were convinced of the successes of the U.S. Indian School programs.

Pageants and drama programs attempted to replace tribal stories with “American” stories, such as the First Thanksgiving, the saga of Hiawatha and oral traditions about George Washington. Students were dressed in costumes and performed in the roles of both colonized and colonizer in insensitive dramatizations.

  • Group of people in colonial-era costumes standing in front of a large American flag with 13 stars. Some are facing forward, while others have their backs turned.
    Patriotic pageant at Sherman Institute, n.d. Sherman High School Museum, Riverside, California. RC125(7)2.1.16.112
  • Three actors in historical costumes perform a stage scene with painted backdrop; two are conversing while the third looks on. Another costumed actor stands to the side holding props.
    Revolutionary War school play at U.S. Indian School, Fort Totten, North Dakota, 1909. State Historical Society of North Dakota. RC125(6)1.11.6
  • Group of people in native attire performing on stage with detailed backdrop; some stand while others sit or crouch, all wearing headpieces and traditional clothing.
    Students performing “Hiawatha’ at Haskell Institute, Lawrence Kansas, 1922. National Archives Record Administration, Washington, D.C. RC125(7)2.1.8.7
  • Sepia-toned image of a parade float titled "Indians of the Past 1492-1620," featuring men and women in historical costumes, surrounded by props depicting various scenes from early American history.
    Indians of the Past parade float, Haskell Institute, Lawrence, Kansas, 1920. Kansas State historical Society, Topeka, Kansas. RC125(7)2.1.8.5
  • 1920 black and white photo of a parade float titled "Indians of the Present" with Native youth posing as nurses, soldiers, cowboys, voting and other modern activities and careers
    Indians of the Present parade float, Haskell Institute, Lawrence, Kansas, 1920. Kansas State historical Society, Topeka, Kansas RC125(7)2.1.8.6
  • 1902 black and white photo of young Native women and men in ecclesiastical choir outfits holding hymnals posed on steps at arched building entrance. An older Caucasian male clergy stands with them at the back
    St. John’s Choir, 1902. Hampton University Archives.RC125(6)3.5
  • 1940 black and white photo of a male drum major in marching costume with headress carrying a twirling batton in both hands and a whistle in his mouth. He marches down the middle of a street in front of the rest of the band with bystanders looking on.
    Roman Gurneau, drum major from Haskell Institute, c. 1940, at Kansas University Band Day at American Royale Parade. Haskell Cultural Center and Museum, Lawrence, Kansas.
  • 1900 black and white photo of young Native men and women in period dresses and military style uniforms posing in front of a brick building.
    Flandreau Indian School Choir, c.1900, Flandreau, South Dakota. Library of Congress
  • 1982 color photo of Native youth band members in blue velvet tunics tied at the waist with concho belts and white trousers. All are holding their instruments and a yellow banner which says "Phoenix Indian High School, Phoenix, Arizona."
    Phoenix Indian High School band at Papago Buttes, 1982. Bureau of Indian Affairs, Phoenix, Arizona. RC125(7)2.1.12.128.
  • 1960 black and white photo of a marching band on the road with a drum major in front with her baton raised and whistle in her mouth.
    Sherman band marching in Riverside , California, 1960. Sherman Indian Museum. RC125(6)1.29.7.
  • 1904 black and white photo of all-male Native band posing with their instruments at a gazebo
    Band at gazebo, c.1904. Haskell Cultural Center and Museum, Lawrence, Kansas.
""
Hampton students in a pageant on Indian Citizenship Day, 1892. Front row, left to right: Thomas Last (Sioux) as Samoset; David Hill (Onondaga) as Miles Standish. Middle row, left to right: Harry Kingmon (Sioux) as the White Mingo, a friend of Kenernal Washington; Laura Face (Sioux) as Pocahontas; James Enouff (Pottawatomie) as Columbus; Juanita Espinosa (Piegan) as Columbia; Addie Stevens (Winnebago) as pilgrim; Priscilla Alden; Lucy Trudell (Sioux) as Quakeress. Back row, left to right: Frank Bazhaw (Pottawatomie) as Captain John Smith; Ebnezer Kingsley (Winnebago) as John Elliot; William Moore (Sac and Fox) as the Herald of Fame; Frank Hubbard (Penobscot) as George Washington; Adam Metoxen (Oneida) as William Penn; Joseph Redhorse (Sioux) as Taminend, a friend of William Penn. Hampton University Archives, Hampton, Virginia. RC125(6)1.15.14

Athletic Programs and Miss Indian Pageants

In the early years, the boarding school program used sports and princess pageants to teach American values such as competition, physical training and school pride. In the late 1800s and early 1900s, Indian children did not know sports such as baseball, basketball and football. In their Indian communities they participated in sports such as lacrosse, foot racing and hoop-and-pole, which reinforced cultural values and traditions.

American Indian boarding schools like Carlisle and Haskell recruited athletes to promote their sports programs and schools. They invested considerable resources in sport facilities. The success of the sports teams brought positive publicity for the schools and engendered support among administrators, the local community and the federal government.

In the early 1900s, school sports programs included football, basketball, track, boxing, wrestling, baseball and tennis. Sports traditions at the schools remained strong over generations and continue to bring together the school and the Native and local communities, who all supported the teams.

  • 1912 black and white photo of 4 Native youth in early 20th C football uniforms posing for the camera. Jim Thorpe stands at far right holding a football.
    Backfield at Carlisle Indian School, 1912. Left to right: Alexander Arcasa, Stansil Powell, Gus Welch, Jim Thorpe. Albert A. Line Collection, Cumberland County Historical Society, Carlisle, Pennsylvania. RC124(7)2.1.1.17.
  • 1929 black and white photo of large group of young Native women from 4 different basketball teams. They pose for the camera in different uniforms with trophies on a table and a banner saying "1929 Tournament at Rapid City Indian School" in the foreground.
    Four girls teams in Tri-State Indian School basketball tournament, 1929, Rapid City, South Dakota. National Archives, Washington, D.C.
  • 1904 black and white team photo of young Native women basketball players in black sailor style pinafores
    Fort Shaw Indian School girl’s basketball team, 1904 at World’s Fair in St. Louis. Standing, left to right: Rose LaRose, Flora Lucero, Katie Snell, Minnie Burton, Genevieve Healy, Sarah Mitchell. Seated, left to right: Emma Sansaver, Genie Butch, Belle Hohnson, Nettie Wirth. Jessie Tarbox, photographer. Missouri Historical Society.
  • 1913 black and white photo of team of young Native men in track and field style shorts and sleeveless shirts posing on lawn in front of an ivy covered building with adult males on either side in the back row.
    Chilocco track and field sports competition team and faculty, 1913. Archives and Manuscript Division, Oklahoma Historical Society. RC125(6)1.5.13.
  • 1913 black and white photo of Native youth baseball team with adult male in center. They stand on a grassy lawn with several buildings behind them.
    U.S. Indian School Baseball Team, Fort Totten, North Dakota, 1913. State Historical Society of North Dakota. RC125(6)1.11.7.
  • 1908 black and white photo of young Native male in track and field shorts and sleeveless top posing with trophies and medals and framed awards including 2 1908 Olympics certificates.
    Lewis Tewanima with his Olympic medals and other trophies, 1908. Cumberland County Historical Society, Carlisle, Pennsylvania. RC125(7)2.1.1.14.
  • 1950 black and white photo fo 3 very animated Native cheerleaders in front of a crowd of students on steps to a building in the background.
    Chemawa Indian School Cheerleaders, c. 1950. Oregon Historical Society
A person wearing traditional attire with a "Miss Sherman" beaded crown and sash stands beside a tree, smiling.
Christine Begay, Miss Sherman Indian High School, 1999 at Sherman Indian High School Reunion and Powwow. RC125(7)1.2.74.

Miss Indian Pageants

The phenomenon of the Indian school “princess” grew out of parallel pageants or beauty contests at public high schools. The Indian princess title at boarding schools began as a simple sash in the late 1890s. By the 1920s, a stereotypical “Indian princess” dress was worn—the buckskin and fringe outfit seen on the silver screen. Changes over the decades, coinciding with recognition and acceptance of cultural distinctions, resulted in incorporation of traditional elements from home communities, such as beadwork, leatherwork or silverwork. The transformation in the pageant itself included a restoration of traditional community knowledge as part of the competition, including language and cultural practices. The Indian princess contest has emerged from a stereotypical view of Indian women and a focus on physical beauty to a celebration of cultural knowledge and community values.